![]() Both those filmmakers, and some others, have stood by the power of the cinema experience, and feel keenly what people often forget, that exhibition and the big screen experience is still the foundation of the business. (Not least, for the rest of the cinemas in the chain.) The solution, is, as it has always been, to make films for the cinema screen, and then for studios and exhibitors to work together so we can see them safely and, by doing so, encourage the audiences back. Some social media commenters have suggested that filmmakers like Nolan and Tarantino just buy the famous Dome theatre outright, but that isn’t really the answer. I wanted to know if this was in any way solvable or reversible. It wouldn’t be wrong to call it my home away from home, I’ve spent more time in those ArcLight chairs than my own couch in Los Feliz.īut while many in the industry were posting photos of favourite memories, screen signage or ticket stubs, I really didn’t want to post an obituary and refer to the theatres in the past tense. I myself have literally hundreds of memories, not just from screenings or premieres of my own work, but just watching new movies - be it in a packed house, close to midnight with the hardcore geeks or in the peaceful Sunday morning screenings. ![]() These locations and many more in the same chain were the heart of the town for many filmmakers and film-goers alike. It’s also worth noting that while the majority of the press and reactions revolved around the Dome, it was also worth talking about the plight of the rest of the excellent Pacific and ArcLight theatres - many of which I would regularly frequent, not just ArcLight Hollywood itself, but also the theatres at the Grove and the Americana. It was then a little disturbing to see on social media, among the shock and sadness, a flat acceptance of what had happened, with little thought of what could be done to save the cinemas. I immediately wrote a number of emails to people in the industry asking the question: Can anything be done? ![]() in London morning, I saw the flurry of texts on my phone about the depressing news about the Pacific / ArcLight theater chain. ![]() When I woke to get a glass of water at 3 a.m. (director, “The World’s End,” “Baby Driver”) The ArcLight loved and respected movies, and you felt that from every person who worked there. “But more than that, it’s easy to forget how the ArcLight completely transformed the moviegoing experience: assigned seating, plush comfy chairs, no late entry to screenings, these were all considered wild and crazy ideas when they first opened. If you lived in this town and loved movies, you’ve had life changing experiences in that complex,” Johnson said via email. “There’s a reason every movie lover in L.A. “It made things really special to go there, because this wasn’t just a theater.”įilmmaker Rian Johnson appeared at the ArcLight Hollywood on the opening nights for his films “Looper,” “Star Wars: The Last Jedi” and “Knives Out” dressed in the blue shirt uniform of the theater staff to deliver the venue’s typical pre-show introductions. “Especially the ArcLight Hollywood had really become this center of movie culture in this town,” said Peter Avellino, an avid moviegoer who runs the website Mr. The permanent closure comes after a year of shutdowns due to the COVID-19 pandemic. announced it would not be reopening its Pacific Theatres and ArcLight Cinema chains, which were shuttered last year due to the pandemic, even as Angelenos start returning to shops, restaurants and the movies with COVID-19 restrictions lifting.Īmong the 300-plus movie screens affected are high-profile and widely trafficked multiplexes at the Grove and Americana shopping malls, and in a crushing blow to local cinephiles, the historic Cinerama Dome, first opened in 1963, whose massive, 126-degree curved screen played host to countless classics, premieres and special presentations in digital, 35 millimeter and 70 millimeter beneath the arched embrace of a geodesic dome for more than half a century.Ĭompany Town Pacific and ArcLight theaters will not reopen after the pandemic, company says That song proved prophetic on Monday as Los Angeles-based Decurion Corp. Wistfulness, promise and a tinge of nostalgia commingle in one magical moment the music playing is the Rolling Stones’ “Out of Time.” In Hollywood,” the majestic Cinerama Dome marquee glimmers to life at dusk, a beacon beckoning movie lovers from its perch overlooking Sunset Boulevard. In a breathtaking sequence in Quentin Tarantino’s “Once Upon a Time.
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